MARIBOR, SLOVENIA
SLOVENJ GRADEC, SLOVENIA
NOVEMBER 14−DECEMBER 15, 2012

ART, SCIENCE AND TECHNOLOGICAL UNCONSCIOUS

International interdisciplinary conference
Maribor, Slovenia, November 16–17, 2012
The showpiece event of the educational program of the SOFT CONTROL project will be an international conference involving theoreticians and artists from Europe, USA, Canada, Japan, Australia, Russia and Singapore, to be held 16–17 November 2012. Conference participants invited include recognised experts in the field of contemporary art and new technologies, famous artists and philosophers. The conference will place special emphasis on the presentation of new strategies in contemporary technological art and education in the field, as well as practical presentations. 2-day conference consists of 2 thematic sections: “Technological Matter and the New State of the Living” and “The Technological Unconscious as a Medium”. A publication forthcoming in 2013 will sum up the project. Confrence registration Conference timeline
DAY 1: Technological Matter and the New State of the Living
Date: Friday, November 16 (2 p.m.–8 p.m.)
Location: Portal – Valvazorjeva 40, Maribor, Slovenia
Moderator: Dmitry Galkin, Tomsk State University, Russia
The thematic section “Technological Matter and the New State of the Living” is devoted to discussion of the technological unconscious as a physical condition of experience. Can we talk about technology as an autotelic ontological entity that possesses its own materiality and its own reality? Is this technological matter capable of having a structuring influence on human life? Does technology break the rules of the living world, or is it a direct continuation of the development of nature, in which the human is only one of many instruments of self-organization? The participants in our international exhibition “Soft Control,” as well as leading experts in the spheres of art, science, and technology, will attempt to find answers to these questions. Keynote speakers: Andrew Pickering, University of Exeter, United Kingdom Stelarc, Brunel University London, UK / University of Western Sydney, Australia Panel speakers include: Oron Catts, Ionat Zurr, SymbioticA – The Centre of Excellence in Biological Arts, School of Anatomy and Human Biology, the University of Western Australia Polona Tratnik, the University of Primorska Artist presentations: Leo Peschta (AT), Ursula Damm (DE), Andy Gracie (UK/ES), Bill Vorn (CA), James Auger and Jimmy Loizeau (UK), Polona Tratnik, Miomir Knežević, Marko Strbad and Ajda Marič (SI), Kuda begut sobaki (RU)
DAY 2: The Technological Unconscious as a Medium
Date: Saturday, November 17 (2 p.m.–8 p.m.)
Location: Portal – Valvazorjeva 40, Maribor, Slovenia
Moderator: Dmitry Galkin, Tomsk State University, Russia
The thematic section “The Technological Unconscious as a Medium” is devoted to anthropocentric variants of technological development. Examining the technological unconscious as a medium, i.e., as a form and generative principle of a whole new generation of ideas, the discussion participants raise the question of how the language that constructs and describes the world of technologies forms. Which discourses of the technological unconscious can be singled out today, and which will it be essential to reconstruct tomorrow? Is the artist capable of reinventing and rewriting the very foundations of the technology myth? Well-known practicians and theoreticians of contemporary art will talk about different aspects of the creation of new forms and new identities. Keynote speakers: Roy Ascott, Plymouth University, United Kingdom Erkki Huhtamo, University of California Los Angeles, USA Panel speakers: Louis-Philippe Demers, the Nanyang Technological University, Singapore Jurij Krpan, the Kapelica Gallery, Slovenia Artist presentations: Brandon Ballengee (US), Stefan Doepner and Lars Vaupel (SI / DE), Vicky Isley and Paul Smith (UK), Suzanne Dikker and Matthias Oostrik (NL), David Bowen (US), Guy Ben-Ary and Kirsten Hudson (AU), Tuur Van Balen (BE)

Keynote speakers

Andrew Pickering
University of Exeter, United Kingdom
Friday, November 16, 2012
SymbioticA (Australia) and The Potter Lab (USA). MEART – The Semi-Living Artist, ongoing project. 2004 SARG and The Potter Lab. Photo by Phil Gamblen
Stelarc
Brunel University London, UK
University of Western Sydney, AU
Friday, November 16
Stelarc (Australia). Extra Ear Ear on Arm, 2006, London, Los Angeles, Melbourne. 2006 Photo by Nina Sellars
Roy Ascott
Plymouth University, United Kingdom
Saturday, November 17, 2012
Philip Ross (USA). Junior Return, 2005, photo courtesy the artist. 2008 Photo by Philip Ross
Erkki Huhtamo
University of California Los Angeles, USA
Saturday, November 17, 2012
James Auger, Jimmy Loizeau (UK). Iso-Phone, 2003-04. Research project, photo courtesy the artists. 2003 James Auger, Jimmy Loizeau